Issue 32

.. of not acting, but being. I have only seen Olivier on film, but always, from Othello to the character of Archie Rice in, ‘The Entertainer’, you went away thinking that you had seen a magnificent performance, superb ‘Acting’ but not the quiet revelation that Scofield could give. Most of our generation know him in…

..of two young ladies ( I am using the term ‘young’ loosely in the same way as you might describe the morals and ethics of the NSW Labor party) who rowed backwards below us for about an hour. The convention of rowing is that you face the blunt end (the stern) so that you can…

..condition, in this version at least, than just the specified young-man-driven-to-suicide-by-faithless-lover motif and of course the dancers themselves are simply spectacular, with Marie-Agnès Gillot imposingly impressive. I’ve watched it a few times now (I even showed it to Bill) and I’ve shed a few tears every time – it’s that sublime. An interesting sidelight; when…

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Mike’s Pith & Wind cont. ..made any sense; nothing had a name. All I knew was fear. Not surprisingly, we were late for the appointment. Some people on other drugs, like ecstasy for instance, report that they feel that the universe is radiating love, and I suppose all this proves is that your view of…

.. in the first century BC and capture by pirates might have been described as ‘an occupational hazard for Roman aristocrats* . Among their more celebrated captives was Julius Caesar who, when the pirates demanded a ransom of twenty talents, indignantly claimed he was worth fifty. He also told his captors that that he would…