Issue 92

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For Bill, portraits were an occupational hazard and a source of income; workmanlike, but oddly at variance with his other work, i.e. landscapes largely empty of people. Had he painted only portraits he would have been a very minor footnote in New Zealand art, but fortunately he spent nearly fifty years defining the landscape of…

S P E C T R U M S P E C T R U M S P E C T R U M M I K E R U D D B I L L P U T T . C O MM M I K E R U D D B I L…